That’s what I love about Fedi in general. The algorithms are either fully gone, or are almost entirely working in favor of the users rather than against them.

Yeah, their main complaint is that we make them feel “uncomfortable”. They make up everything else, but the whole movement traces right back to validating that hateful feeling

I was incredibly on board with the main premise of the game, and had a great time with the story. I can see how others wouldn’t be too impressed with it, as it’s still somewhat basic compared to other games in the series, but I was completely sold by Zelda’s characterization and story arc. Plus, I didn’t actively hate any of the sages, which is a huge plus.

Rauru was a standout new character for me. Dude’s an absolute beast, especially in the memory you get from the spirit dungeon. Ganon was fine, played very well by Matt Mercer, but I kinda wanted him more involved in the story.

Anyways, the story felt incredibly emotionally satisfying by the end. Which isn’t something I can say for Breath of the Wild’s story (though BotW had its moments).

I hope this causes some introspection with the TERF in particular, but sadly it seems that she’s still casting herself as the victim here. Bigots will do any mental gymnastics they have to in order to present themselves as the true victims, even when they are merely suffering the consequences of their own actions.

I use Scrivener. I’ve set it up so my files are synced with Onedrive, so I can write on my home PC and on my laptop when I’m away from home.

get his ass!! This makes me so happy.

So, disclaimer, but I definitely come from the more structured, genre side of things with my writing.

I think a lot of deciding what your ending will be has to do with what kind of story you want to tell. Most stories answer a question – will these two lovebirds get together? Will the characters escape the haunted house alive? Will this soldier live through this war, and if so, how will the war have changed him?

I would recommend nailing down what question your story fundamentally answers, and then figure out how your ending answers it. Of course, that’s a very simplified way of putting it, but I think starting out simple and building things out from there is how you can get the ball rolling on your story. Once you know how it ends, you know what pieces need to be in place for that ending to work … and as you look to see what pieces you need to put in place, you start to see the shape of your story as a whole.

Hi there! I’m from Colorado, which is almost the midwest! I saw the community and decided to pop into Lemmy through here, though, since it seemed to be friendly and welcoming. I write queer fantasy romance and love a good book!

D’aww, gay anxious turtle ^^

its me, the roller rink carpet