• 339 Posts
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Joined 8 months ago
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Cake day: November 12th, 2023

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  • This is actually one of the best use cases of LLM.

    No, it’s quite simply not. At all.

    LLM is an entirely statistical model. To the degree that it strings words together in an order that makes some sort of sense, it’s ONLY because those words are statistically likely to be strung together in that order.

    Japanese is an extremely imprecise and contextual language, particularly in its written form. Most kanji have multiple meanings, and often even a notably wide range of meanings, so a purely statistical model is already handicapped in any attempt to translate the intended meaning to another language. And Japanese creative writing, and manga especially, depends heavily on deliberately unusual uses of specific kanji to convey subtle bits of background information, moods, attitudes, hidden meanings or the like, or just as wordplay - puns, alliteration and the like.

    And LLMs have no way to recognize any of that nuance. All they can do is regurgitate the most statistically likely string of words.

    That will likely provide tolerable results with something that’s written simply and straightforwardly, but as soon as it gets to any of the countless manga that rely on unusual kanji readings and wordplay to convey nuance, it’s going to utterly and completely fail, since it has and can have no actual understanding of the author’s intent, so no basis on which to choose the correct reading of the kanji. All it can do is regurgitate the most statistically likely one, which in those sorts of cases is the one that’s absolutely guaranteed to be wrong.





  • It was pretty much doomed from the start.

    The things that I most liked about it were that the romance was notably gentle, warm and slow-paced, as Hiragi and Taiyou slowly came to recognize their own feelings, and that the romance was just one aspect of the broader focus on Hiragi coming out of her shell and making friends, and her newfound friends learning how to work around her deafness.

    I’m not sure if readers necessarily prefer trainwrecks full of contrived drama (the comment sections of those manga indicate otherwise), but for whatever reason, the publishers apparently think they do. So it was pretty much guaranteed from the start that this was going to end up prematurely axed.

    I wonder if what we’re seeing with the last few chapters here is the mangaka basically saying, “Fuck it - you want some stupid contrived drama? Here’s some stupid contrived drama.”























  • I can’t tell if she’s a romantic or a realist either.

    I’m thinking there’s a key to Chokki-chan’s appeal there. Somehow her world is both fantastical and mundane.

    She’s not a chuunibyou - it’s not that she fantasizes about a fantastical life. It’s more that she recognizes her very mundane life for what it is, but sees wonder in it anyway.

    There might be an existentialist lesson to be drawn there…