Don_Dickle@lemmy.world to Today I Learned@lemmy.worldEnglish · 2 months agoTIL Black Americans were developing the Afro-Futurism/Black Sci-Fi genre of literature as early as the mid-19th century. Titles such as 'Blake' (1859), 'Iola Leroy' (1892), 'Imperium In Imperio (1899)en.wikipedia.orgexternal-linkmessage-square18fedilinkarrow-up1248arrow-down119
arrow-up1229arrow-down1external-linkTIL Black Americans were developing the Afro-Futurism/Black Sci-Fi genre of literature as early as the mid-19th century. Titles such as 'Blake' (1859), 'Iola Leroy' (1892), 'Imperium In Imperio (1899)en.wikipedia.orgDon_Dickle@lemmy.world to Today I Learned@lemmy.worldEnglish · 2 months agomessage-square18fedilink
minus-squareDeceptichum@quokk.aulinkfedilinkEnglisharrow-up3·2 months agoThe question is because the DaVinci code fits that authors reasoning for why Blake should be Sci-Fi, in that it explores an alternative history. It’s a rhetorical question, but that does not belie the seriousness of it.
minus-squareDrusas@fedia.iolinkfedilinkarrow-up1·2 months agoIt explores alternate history but doesn’t contain any sci-fi elements. At least not that I recall. So that made the question seem very unserious to me. Especially since I had already agreed with you that it wasn’t sci-fi.
The question is because the DaVinci code fits that authors reasoning for why Blake should be Sci-Fi, in that it explores an alternative history.
It’s a rhetorical question, but that does not belie the seriousness of it.
It explores alternate history but doesn’t contain any sci-fi elements. At least not that I recall. So that made the question seem very unserious to me. Especially since I had already agreed with you that it wasn’t sci-fi.